This picture was taken pretty late in the night...like 3 AM so my security, Eric 'Beefcake', and I look pretty haggard but, hey, I'll take it. The picture is small so you can't tell that my face is on the million dollar bills bursting out of our briefcases. Ohh, you also can't tell that I'm wearing silver shoes. We're the last picture on the slideshow!
http://www3.timeoutny.com/newyork/tonyblog/2009/04/hot-recap-the-brooklyn-bailout/
Source photo is here:
http://www.flickr.com/photos/31356424@N08/3456511462
The bills are here:
http://richhorner.com/img/swankskillionaire1.jpg
http://richhorner.com/img/swankskillionaire2.jpg
http://richhorner.com/img/million-dollar-bill-back-rushmore.jpg
The street performers were pretty pissed when we put these in their donation hat :) lol
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I apologize for the short notice but I was just asked to play the Wreck Room tonight. I don't really have details other than it's free and it's after 10PM.
940 Flushing Ave, Brooklyn, NY
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So-called Information Society is, in actuality, an elaborate piece of hyper maximalist performance art that most of the participants are unaware that they are a party to.
Like most art, it is of poor quality and little interest to anyone other than its creators, those caught up in the scene and/or those monetizing it.
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Original: http://richhorner.com/for-sale.html
This is your chanceI just found out that I owe the government thousands of dollars in taxes. I hate to sell most of this gear (particularly the guitars and the Grescos!) but I like life on the outside. My tax bill is your chance to own some serious gear. Roger Gresco Ibanez American Master MA3HH QM CS - $1650Super rare, hand made in the USA by Roger Gresco for Ibanez, Serial 90055, mahogany body, transparent cherry burst over 5/8ths of an inch thick flame maple top, birdseye maple neck topographically laid thru (the body is a single piece of wood that surrounds the neck instead of the usual two wings), rosewood board, pearl/abalone/pearl split block inlays, Duncan Distortions, Edge licensed Floyd Rose tremolo, silver volume and tone knobs, 5 way switch, cleanest MA you will find anywhere, virtually unplayed, perfect except for some clear coat scratching like pick swirling. I could not even get it show up in the pictures. Comes with original Ibanez American Master hard shell case. Pictures Roger Gresco Ibanez American Master MA3HH QM CS - $1125Super rare, hand made in the USA by Roger Gresco for Ibanez, Serial 90077, mahogany body, transparent cherry burst over 5/8ths of an inch thick flame maple top, birdseye maple neck topographically laid thru (the body is a single piece of wood that surrounds the neck instead of the usual two wings), rosewood board, pearl/abalone/pearl split block inlays, Dimarzio PAF Pro/Double Whammy, Edge licensed Floyd Rose tremolo, silver volume and tone knobs, 5 way switch, player condition. Comes with original Ibanez American Master hard shell case Pictures Ibanez 2027X VV 7 String w Piezo Double Edge Trem - $1100Rare, only made for 1 year, Japanese built, 7 string, mahogany body with maple top, all access neck joint, Double Edge licensed Floyd Rose with low profile and piezo pickups for acoustic tones, some cosmetic damage around the sides, looks great from the front - Ibanez hard shell case Pictures Custom Galveston 25 String Triple Neck - $1000This started as a Galveston 25 string triple neck. I replaced all the hardware though and now it is absolutely sick. The necks are a 6 on bottom, 7 in the middle and a 12 on top. Mahogany body with a gorgeous quilt maple top. Pickups are all Dimarzios and as follows:
- 6 string: Evolution Neck, Evolution 2 Bridge
- 7 string: Air Norton 7, Evolution 7
- 12 string: PAF Pro, Evolution Bridge
There is no pickup switching in the traditional sense. All six humbuckers are wired to the output in parallel. There are three dual concentric potentiometers (one for each neck) so there are 6 volume controls. There are 3 mini toggle switches which put the neck humbuckers out of phase. I built this thing to create the densest sound I could for my feedback system where I would have all three necks and 25 strings vibrating at the same time. Well, it turned out that I had already processed the sound up to pretty much the limits of density and the extra strings didn't sound that much different from a regular 6 string. I don't really have a use for a triple neck guitar and this thing is priced to reflect the limited number of times you would reach for a triple neck. There is a lot of work in this guitar and the electronics alone are worth several hundred dollars. You or your band will IMMEDIATELY get noticed playing this thing. Just ask Rick Nielson. Comes with probably the only case that will accomodate this thing. Pictures Epiphone Les Paul Studio Gothic 7 String with Flight Case - $375Being a strat and tele guy, I've never liked Les Pauls. I bought this one thinking it might be different as a 7 string. I don't hate this guitar like I do most Pauls but I still don't want it. 7 string mahogany neck set into a mahogany body. Gothic black matte finish. Dual alnico humbuckers. Played maybe twice. Like new with stickers and hang tags in a heavy duty flight case. This guitar in no way feels cheap. The workmanship is quality. It's just that is sounds like a Les Paul which, to me, is not desirable. If you like Pauls, this is a steal at $375 with a heavy duty flight case. Pictures 2001 Fender Standard Fat Stratocaster with maple board and Case - $400Blizzard Pearl alder body and maple neck with a maple board. Fat strat so it has a humbucker in the bridge. Show room condition which means it's not mint but in that "it was played in the guitar store" condition. There is no damage on the body. I just set it up for 10s and shimmed the neck to make the saddle and pickup heights properly adjustable. The neck pocket says "SEP 15 2001 X29547". Serial number on the headstock is MZ1094490. Gets all kinds of tones you would expect from a strat from funky to country to metal with the humbucker. Comes with hard shell case. Fender just raised their prices so a new one will cost you $550 WITHOUT a case and apparently there is currently a "unusually long shipping delay" on these from Fender. Seriously, Musicians Friend doesn't even have any available. I really dig this guitar and looked all over to find a maple board with a humbucker in a good color like this but I just have too many strats. Pictures 2006? Fender 60th Anniversary Ash? Telecaster with case - $350Fender Standard Telecaster. I think this is a 2006 since it says 60th anniversary. The wood looks like ash. Tortoiseshell pickguard. Serial number is MZ6220270. Has the better six adjustable saddle string through the body bridge. There is one chip in the clear coat on the upper side (not on the face) that was filled in less than perfectly. You can't see it unless you look for it. since it's clear coat but it's clearly visible when found. Recently setup for 11s. This guitar gets great jazz, country and metal tones. Comes with hard shell case. Pictures VHT 2/90/2 Power Amp G-2902-S - $1200New, never powered, KT88 98 or 60 watts a side stereo rackmount power amplifier. VHT was just sold and no more real VHT 2/90/2s will be made. These were last going for $1500 new on Musician's Friend. I never powered this one that I bought in April but I do not have the original box as I shipped my 10 year old 2/50/2 in that box when I sold it in December. Pictures Tons of TubesList is forthcoming. AKG C 414 B-XLS condenser mics - $650I have two of these multipattern condenser recording microphones. The B-XLS is the latest model which features multiple selectable pickup patterns, switchable preattenuation pad, shockmounts and carrying cases. These things are as transparent as you can get without buying a $10,000 pair of DPAs. I bought these last year to record a symphony orchestra and it sounded awesome. I have not used them since so I guess they should go. If you want to hear the recording, I'll send it to you no problem. New at Sweetwater or Zzounds they are $1000 each. New at Musician's Friend for $850. Take these two for $1300 ($650/each). Dunlop Crybaby DCR-1SR Rackmount Wah with 2 DCR-1FC Foot Controllers - $425Total steal on this hard to find unit with an extra foot controller. If you know what this unit is, you know it's the greatest wah ever made. Whether you want that Hendrix or Petrucci or Hammett or any other Dunlop wah sound, it's in here. The Dunlop DCR-1SR is a single rack space wah that can plug in up to 4 DCR-1FC foot controllers at a time so you can wah from any position on a huge stage. The unit itself has 6 selectable wah voicings, 5 band parametric EQ, volume cut/boost, TRUE BYPASS (!) and multiple outputs for splitting dry, wet/buffered and wet/dry signal. New this unit was $600 + $125 for the extra foot controller. It is in great shape. I'm letting it all go for $425. dbx 1066 Compressor Expander Gate Limiter - $200This is a recent model dbx 1066 compressor expander gate limiter with XLR jacks. The unit can run in stereo or as two separate mono channels. These go for $400 new. I used this to compress drums a couple times in the studio but I don't have a studio anymore. Behringer MDX 4600 4 Channel Compressor Expander Gate Limiter - $75Used on really big drum kits. Lexicon MPX-100 - $75Yamaha 01X Digital Mixer - $150This thing is freakin sweet. It's basically a mini O2R but I think the mLAN firewire ports stopped working so I'm liquidating it. You can still use it as a multibus mixer with built in effects and dynamics processing. Inputs are super quiet! M-Audio Black Box - $100Digital modeling amp like a Line 6 POD. Has USB interface to hook up to your computer. Unloaded Black 4x12 Slant Cab with metal grille and stereo jack - $75Pictures Big box of cat5e ethernet cableA bunch of gigabit speed cable in all manner of lengths. Make offer. Nice Mahogany? Futon with Mattress - $150This is a really nice and solid futon frame. It looks like mahogany. I don't know but it's heavy. Has some scratching. I've just been using it as a couch. Pictures PickupsI have a bunch of Dimarzios and stock pickups I pulled out of various guitars. Will post a list later. Dell UltraSharp 1905FP LCD - $130This has the rare-ish pivot adjustment which lets you rotate the screen to be verticle. This is always a must have for me to work on tall documents like orchestral scores. I recently bought a 24" so I don't need this anymore. Metal ShirtsAll are size large and $15 unless otherwise stated.
- Iron Maiden - The Trooper - new
- Meshuggah - Destroy, Erase, Improve - new, accidentally bought 2
- Judas Priest - Painkiller - new
- Type O Negative - $8
- Symphony X - The Odyssey - $10
- Moonspell - Irreligious - longsleeve, $8
- Sentenced - Down - longsleeve, $8
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Room is 13x15 (despite what the ad says...I didn't write it!). Live with a bunch of artists/musicians in a converted warehouse space. We have 2 full bathrooms and a washer and dryer.
First floor - 9 stairs but there is a freight elevator.
A few blocks from the Morgan Ave L stop.
Tons of easy free street parking.
Lots of bodegas, auto shop, hardware stores and dollar stores nearby.
You don't need to sign a lease, just give a month deposit.
http://newyork.craigslist.org/brk/roo/1093430572.html
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I never post in this thing because I don't have the time to write out proper entries. Consequently, I don't post about anything of consequence. So, I created an account on Twitter to more readily entertain everyone and in the hopes that I will document certain things. If you can't guess the URL, you are too stupid to read my feed.
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Failure, I will listen
To a mind that's broken
To reach the path unspoken
To see what I have chosen
In other news, I need a place to live Jan 1st!
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A couple weeks ago, I went up to Boston to record the wonderful Julia Torgovitskaya aka ![[info]](http://l-stat.livejournal.com/img/userinfo.gif) juliatorgo at Tufts' exceptional new Distler Performance Hall in the Granoff Music Center. I use an incredibly simple, cheap and effective rig to record live to two which consists of 2 AKG C 414 B-XLS microphones, 1 Aphex 207D and an M Audio Microtrack. This allows for pretty transparent and noiseless stereo 24/96 recording for around $2000 which is ideally suited to classical or anything else where you want to capture the true sound that needs no tonal manipulation.
Well, after more than an hour of recording, we were onto Monica's Waltz from Menotti's The Medium (which I must confess I am not fond of) and I started getting intermittent pops on the left channel. I had no idea why as I had never had any problems with this rig and there didn't seem to be any pattern to the pops or correlation with anything we were doing. My only guesses were that the tube in the Aphex was going or the power in the room was problematic as the readout on my power conditioner was up around 122 volts. Thankfully, we managed to get the takes we needed.
A few days later at home I plugged my 207D in and just watched it for a few hours. Sure enough, it eventually started popping randomly on channel 1 despite the fact that nothing was connected to it. I think the problem was that this unit has no cooling and being over volt and racked next to other gear was a recipe for disaster. I opened the unit up to make sure though.
What a mistake that was.
As much as I love this unit, they definitely skimped on the chassis. I have no idea how two of the top plate screws were held in place previously as they do not fit the threads. I can only assume that the less than precisely placed holes on the plate clamped the screws into place by not lining up with the threaded sockets. Well, I think I am correct as one of the screw heads got separated from its body when I forced it in with my Dewalt. This caused the face of the unit to bow rendering the spring on the digital rate selector inoperable.
So now I have to get this screw body out that is not extending beyond the chassis. After about 30 seconds of attempting to rotate it with a false head made out of putty, I opted to instead destroy the plate around the threaded socket with my drill.
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"Is this you?"
"No, it's Berlioz."
...or not much of Berlioz. I think it's actually the latter.
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I come across a lot of retarded shit everyday in computing. Admittedly, computing is REALLY phuqqing hard and it's unreasonable to expect everyone to be 100% on 100% of the time so some dumb shit is inevitably going to make it into the system. Well, nagios has a broken check_mailq plugin which ALWAYS tells you that the mailq is OK when run with the default settings because it doesn't correctly parse the output from mailq when run as a non-privileged user which is there to tell you that mailq has to be run as a privileged user. So, I thought of three solutions:
1) Add the nagios user to the mail group and then change the permissions on /var/spool.
2) Setup the nagios user to be sudo NOPASSWD for the mailq command or the check_mailq.
3) Make mailq setuid root.
1 may not be the best idea because a process may "fix" the permissions on /var/spool.
2 is kindof a pain in the ass because you have to alter how nagios is calling the plugin.
3 is super easy. It's just a single command:
# chmod u+s `which mailq`
Check out what I found though. This is on CentOS 4.5:
$ ls -lA /usr/bin/mailq
lrwxrwxrwx 1 root root 27 Sep 18 2007 /usr/bin/mailq -> /etc/alternatives/mta-mailq
$ ls -lA /etc/alternatives/mta-mailq
lrwxrwxrwx 1 root root 23 Sep 18 2007 /etc/alternatives/mta-mailq -> /usr/bin/mailq.sendmail
$ ls -lA /usr/bin/mailq.sendmail
lrwxrwxrwx 1 root root 23 Sep 18 2007 /usr/bin/mailq.sendmail -> ../../usr/sbin/sendmail
$ ls -lA /usr/sbin/sendmail
lrwxrwxrwx 1 root root 21 Sep 18 2007 /usr/sbin/sendmail -> /etc/alternatives/mta
$ ls -lA /etc/alternatives/mta
lrwxrwxrwx 1 root root 27 Sep 18 2007 /etc/alternatives/mta -> /usr/sbin/sendmail.sendmail
$ ls -lA /usr/sbin/sendmail.sendmail
-rwsr-sr-x 1 root smmsp 746328 May 2 2007 /usr/sbin/sendmail.sendmail
Yeah, uhh, as if that symlinking isn't amusing enough, don't set mailq as setuid root :)
Also, for the developers reading this, I've always hated when a single command has its behavior multiplexed by looking at its call method. /etc/init.d/net.eth0 anyone? Isn't that practice discouraged by the GNU coding standards? Well, if you need a real world reason as to why you shouldn't be doing that in your programs, here you go. Obfuscating what program actually being called might lead to someone accidentally setting their MTA to setuid root because they think they're only chmodding some helper program.
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Megadeth are consummate professionals and always an awesome show live. This was no exception. Chris Broderick was on guitar.
Meshuggah are the greatest band playing today. I'm convinced that Nothing will be looked back upon as the great landmark of heavy metal. This was one of the greatest sets I've ever seen even if it was only 45 minutes.
Behemoth were super disappointing. They were way better when I saw them on Gigantour two summers ago in Wisconsin.
Dimmu Borgir had a great set list. MUCH better than when I saw them 5 years ago at the Palladium when they only got around to playing decent tracks during the encore. Their video was SUPER cheesy but most of the crowd looked like they played Warcraft so...
Overkill cancelled.
I missed Arsis because the schedule was completely changed on Saturday due to Overkill cancelling. I was not happy about this. Good thing I've seen them a ton of times already.
Tony Danza Tapdance Extravaganza were nowhere near as good as they are on disc.
The Pagan Fest bands were all pretty terrible but after Eluveitie, who were unlistenable, I had a really great time in the pit as there were no spin kick ninjas to be found.
Divine Heresy cancelled.
I missed Unexpect and Veil of Maya because they both played too early.
Disfear played a one-off show Saturday night that harkened the old days of 80s thrash - unreal.
I stayed with Jason from IKILLYA and hung with HUNG all weekend which was good times.
I met Aub Driver who is an amazing guy and is going to put me in touch with Ballet Deviare to discuss doing a piece for them.
I had lunch with Iann Robinson which was great. He's really cool and also thinks that Metalocalypse is not funny.
I saw Derrik Albertelli, Jeremy Saffer, Dani (who made it a point to tell everyone she introduced me to that I'm a musical genius. Thanks, Dani! lol), Genaro (Goomer), Casey Sabol and Kyle Rose.
Met Kim, Caitlin (who were hilariously awesome) and some of their friends, Kyle's brother and bunch of people who thought my Twodeadsluts Onegoodfuck shirt was the best of the entire fest. I'm inclined to agree :)
In other news, I bought 4 guitars and a VHT 2/90/2 last week. I'll post pictures.
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I'm making a peanut butter and jelly sandwhich.
This is probably the first food I've prepared (and I use that in the loosest sense of the word...like, even pouring a bowl of cereal would be preparing food here) at my home (or anywhere actually) in over a month.
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I'm the featured guest for this coming Monday's Death by Metal from 10PM to midnight on WMBC 560 AM - UMBC's radio station.
I anticipate much music from and discussion about seminal forward thinking atonal and ametrical death metal acts such as Cynic, Atheist, Gorguts, Meshuggah, SUNN and Edge of Sanity as well as Wagner, Scriabin, Stravinsky, Penderecki, Xenakis, Schnittke and various electroacoustic music.
You can tune in online at http://broadcast.umbc.edu:8000/wmbc-hifi.
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Witness my triumphant and loud return to the illustrious Peabody Conservatory's Griswold Hall.
What:
Richard Edward Horner plays Richard Edward Horner
A solo electric guitar recital by the American Master
Program:
The Music of Erich Zann - Horror in Five Movements
When:
Friday, January 26th 8PM
Where:
Griswold Hall
Peabody Conservatory of the Johns Hopkins University
1 East Mount Vernon Place
Baltimore, MD, 21202
Go in the main entrance at the above address and take the elevator up to the second floor and make two rights.
I imagine people will be going out afterwards.
Please try to let me know if you are coming in from out of town and if you need a place to stay or anything else.
As always, attendees are strongly advised to bring hearing protection (ear plugs).
If you would like to help promote, you can use this PDF or the image below.
Thanks, Rich(ard)
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A big thanks goes out to everyone who made my last show at Peabody Conservatory. I will post some audio clips in the near future. I have yet to see either of the videos yet.
I will be attending the Third Practice Electroacoustic Music Festival in Richmond, Virginia on November 3rd and 4th.
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My teacher, Michael Hersch, is premiering his massive new piano work tonight in Philly. I plan on being there.
The following was taken from http://www.networkfornewmusic.org/info.asp?pk=632&
Saturday, October 14, 2006 at 8:00 PM
Philadelphia, PA
THE VANISHING PAVILIONS
The glimmering imagery and eloquence of British poet Christopher Middleton inspire a major piano solo by Michael Hersch, an exceptional young composer and pianist who has created "remarkable - and sometimes ecstatic - excitement in the world of classical music." — The Washington Post
St. Mark's Church
1625 Locust St.
Philadelphia, PA
Box Office: $20 general admission, $15 seniors, $10 students
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I am now wholly convinced that I am the greatest to ever play the electric guitar and on Friday, October 20th at 7:30PM in Griswold Hall at the Peabody Conservatory of the Johns Hopkins University I will prove it to the world.
What:
Richard Edward Horner plays Richard Edward Horner
A solo electric guitar recital by the American Master
Program:
Air Raid - Etude for self feeding system
Between Two Worlds - Fantasia on themes from my opera
When:
Friday, October 20th from 7:30 PM to 9:00PM
Where:
Griswold Hall
Peabody Conservatory of the Johns Hopkins University
1 East Mount Vernon Place
Baltimore, MD, 21202
Go in the main entrance at the above address and take the elevator up to the second floor and make two rights.
I imagine people will be going out afterwards.
Please try to let me know if you are coming in from out of town and if you need a place to stay or anything else.
As always, attendees are strongly advised to bring hearing protection (ear plugs).
I'm going to post some banners you can post on your journals or MySpace or what have you and fliers if you want to promote offline so check back if you think you can help out.
Thanks, Rich(ard)
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Pam (unbound_spirit) is performing a new work by my friend Lauren Buchter tomorrow in NYC. Pam sent this out and I'm reposting it so that you ppl will see it. I, unfortunately, cannot make it.
Rich(ard)
----
Hey everyone,
Tomorrow night, October 12th, 2006:
You're all invited to "Remembrances": The second in a new music series at Gallerie Icosahedron in Tribeca, 27 North Moore Street between Varick and Hudson. I will be premiering a new composition by Lauren V. Buchter with fellow soprano and fellow Manhattan School of Music prep grad Rebecca Loeb, with Kimbal Gallagher accompanying. Come out and enjoy some great new music by some leading New York composers! Doors open at 7:00, show starts at 7:30
$8 suggested donation for students, $15 suggested donation for general admissions. We're expecting a huge turnout including some new music VIPs, so come early!
See you there!
Love,
Pamela
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October 7th, 2006
Pamela Stein will be performing with the Left Bank Concert Society in Korean composer Isang Yun's work "Memory" for voices and percussion at the Guildenhorn Recital Hall, Clarice Smith Performing Arts Center at the University of Maryland, College Park. Also performing are soprano Bonnie Lander and mezzo soprano Mary Catherine Moroney. For more information see leftbankconcertsociety.org.
If I'm well enough to drive and not cough through the performance, I'll be there.
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Friday October 6th I'm giving Computer Music Seminar at Peabody Conservatory. I'll be playing my new hyper-dense 50 minute spectral epic Peabodrone.
Seminar is in Conservatory 314. Go in the main entrance and take the elevator up to 3.
Peabody Conservatory is located at 1 East Mount Vernon Pl, Baltimore, MD 21202.
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I recorded one of Kayo Dot's new songs with them in my studio last night. It was awesome.
For those of you who are unaware, Kayo Dot are a large (as amplified ensembles go) avant-garde group that grew out of Maudlin of the Well and are now signed to John Zorn's label Tzadik. They are one of the very few bands currently making music that I think is worth listening to.
It was crazily cramped as the new production facility I'm putting together with Steve, while progressing nicely, is not yet finished.
In other news, I will finish mixing and mastering my ground breaking 50 minute hyper-dense spectral piece, Peabodrone, in both stereo and quad versions within the next two weeks. I've been asked to give a preview performance of it at Peabody so keep an eye out for that if you're interested.
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I will be playing a solo electric guitar gig on Sunday June 11th at The Lucky Cat in NYC.
What: Club Show
When: Sunday June 11th (6/11) at 8PM
Where: The Lucky Cat 245 Grand Street, Williamsburg, Brooklyn 11211 - (718) 782-0437 - www.theluckycat.com
As usual, attendees are strongly advised to bring hearing protection (ear plugs).
This is my first NYC show. I really hope you all can make it out. I'd like to have a good showing so I can play some more NYC gigs soon.
I challenge you to find anything else this awesome for $5.
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Thanks to everyone who came to the show on my birthday.
The semester is over. I'm flying to Mizzerah in a few hours to get my car and go to the wedding of one of my high school friends. I'll be back in time for Maryland Death Fest. A bunch of ppl are coming in from out of town so it should be awesome. The Monday afterwards (Memorial Day), Dysrhythmia and Behold the Arctopus are playing in Fredericksburg.
Then I'm moving to northern New Jersey to live with Pam (unbound_spirit)'s family for the summer. I'll have good access to NYC so I expect to see all my NYC ppls with some frequency (thank gawd as you are all amazing) and access to Boston should be improved. I'll be in and out of Baltimore for lessons, department renovations and sessions.
Speaking of work, I have a ton of stuff quickly shaping up including new works for voice and electronics (one is for Pam), flute and electronics (for Mindy), an hour long noise/feedback piece, the final draft of my first Symphony for String Orchestra (Echoes of Different Times), my second Symphony for String Orchestra, and my passacaglia on themes from my opera for full orchestra (no voices).
BTW, if you are a string player and have any interest on playing on either or both of my String Symphonies this fall, please get in touch. I want the most massive string ensemble I can assemble. Violins and contrabasses are of particular interest.
Finally, I leave you with a clip of the first draft of my second string quartet (I admit that it is in need of heavy revision) as played by the Delorean Quartet (Amos Fayette, Adrienne Geisler, Alexander Baldock, Bonnie Obel).
http://richhorner.com/audio/mp3/Horner-String_Quartet_No2_clip-Delorean_Quartet.mp3
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I will be turning 25 on Monday, May 8th. Please do not buy me any gifts. Please do come to my concert.
What: Computer Music Concert
When: Monday May 8th - 7:30PM
Where: Griswold Hall - Peabody Conservatory of the Johns Hopkins University - 1 East Mount Vernon Pl, Baltimore, MD 21202
I will be premiering two works including one for one of the most ridiculous instruments you've ever seen (it involves a power drill). I may have a third work on the concert as well. There will also be works by Matt Diamond and Eugene Cha, amongst others.
As usual, attendees are strongly advised to bring hearing protection (ear plugs), as I am known to be insanely loud.
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I received official notice today that the Computer Music Department will be taking care of all of my tuition expenses for the remainder of my Master's programs at Peabody.
Additionally, I have managed to get Finale running on my machines while booted into Linux. I'm hoping to do a writeup. Don't hold your breath.
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I am one of 4 featured performers for the March 2nd edition of the prestigious Thursday Noon concert series at the Peabody Conservatory. I will be playing electric guitar. The other works on the program are for solo instruments, electronics and video. Note that this is in Cohen Davison and not Friedberg as the finals of Yale Gordon are taking place in there.
Peabody Conservatory is located at 1 East Mount Vernon Place, Baltimore, MD 21202.
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I am playing twice tonight at the Peabody Conservatory of Johns Hopkins University. The first performance is as the opener of the composition department recital. Michael Straus and I are playing the Entanglement movement from The Pauli Exclusion Principle. I have no idea how well this is going to work. It might be awesome. It might be a hilarious disaster. Either way, I garauntee entertainment.
7:30 PM (sharp!) in Griswold Hall
Then there is free food after the concert just outside the hall.
Then, the second performance will be as soon after the first concert as possible most likely starting around 10PM and lasting less than an hour. It will be me playing electric guitar with an INSANE video accompanying my feedback system. I was just going to play the feedback piece but there have been several requests that I shred so I practiced for 3 hours just now (first time I've played in 4 months which makes 4 times in the last 8 months) and think I'll be able to pull it off.
circa 10 PM Conservatory 314
Peabody's address is 1 East Mount Vernon Place, Baltimore, MD 21202
Then we'll go to the Yacht Club and drink pitchers of Clipper City ale. I've only slept about 12 hours in the last 90 so I should get really hammered really quickly :)
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Reminder: I'm playing this Wednesday (2/8) at 7:30 in Griswold Hall at Peabody.
Addendum: I have a number of non-Peabody ppl coming and a number of Peabody ppl still haven't heard me play guitar. If I put on a second, multimedia performance after this concert sometime around 9:30 or 10:00 for half an hour or so, how many of you would stick around for it?
I finished my first symphony today...sorta. We'll see if it doesn't receive some heavy edits...or if I don't just burn the piece...so to speak. I notate with a computer, but deleting a file is so much less dramatic than burning a score.
In other news, my grandmother died this morning. That's the last of my grand parents. I can only hope I live for an entire century.
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Michael Strauss and I will be performing the Entanglement movement for saxophone, piano and electronics from my piece about Quantum Mechanics, The Pauli Exclusion Principle.
The piece has never been performed in an audible space as it was processed directly to disk. This could be extremely interesting (read: disastrous) so I really hope you all come see me potentially severely embarrass myself.
The performance is at 7:30 on Wednesday February 8th at the Peabody Conservatory (1 East Mount Vernon Place, Baltimore, MD 21202) in Griswold Hall (second floor of the Conservatory Building just above the school's main entrance). It is free and open to the public. Due to our amplification setup, WE WILL PROBABLY BE GOING ON FIRST SO PLEASE SHOW UP EARLY TO BE CERTAIN YOU DON'T MISS IT!
There is a clip of the piece on my website here: http://richhorner.com/main.php?page=listen
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In addition to the studio I run at Peabody and the tiny concert hall I have, I now own and operate my own studio.
Pretty sweet.
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I posted some new clips as a Festivus gift to all of you.
Listen
In other news, here's an AP article on everyone's favorite holiday.
Festivus!
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I will be the guest speaker for the Computer Music Seminar on Wednesday, November 9th at the Peabody Conservatory of the Johns Hopkins University. Seminar is from 5:30-7PM in Conservatory 314. It is free and open to the public, but please be on time if you decide to come. Here is the blurb from Peabody's site:
Dual master's candidate and self-proclaimed electric guitar virtuoso Richard Edward Horner will be discussing his influences, signal processing, history with composition and electronic instruments as well as demonstrating some of his unique techniques and soundscapes. Attendees are strongly advised to bring hearing protection (ear plugs). Directions to Peabody can be found here (http://www.peabody.jhu.edu/192). Those of you are aware of how infrequently I discuss the inner workings of my own music know that this is a rare opportunity to hear me discuss what I do to create and control my otherworldly sonic violence that is a strange marriage of noise and harmonic bliss.
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Is anyone driving to ProgPower?
Are you going through Baltimore?
Do you want to pick me up?
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If you already know about distributed computing and just want the link, it's:
http://fightaidsathome.scripps.edu/For those of you who don't know, I ask that you PLEASE read the following as you could actually contribute thousands of computational hours to IMPORTANT MEDICAL RESEARCH by merely spending 5 minutes of your time.Distributed computing is the process by which large computations are split up and processed by many machines concurrently. Analogously, if you had a grocery list of 1000 items, you could acquire all of them much more quickly if you had 10 different people each get 100 of the items and, perhaps, even more quickly if you had 100 people each get 10 items. Distributed computing doesn't work exactly like this but you should have a good general idea of what's going on. The key to most desktop distributed computing clients is that they run in the background and have a low process priority thus only using "idle" cycles from your processor meaning that their use should not reduce your machine's performance at all. Furthermore, it does not matter how old/slow your machine is. Your contribution is wanted and will be helpful, no matter how small! The key to distributed computing is the sheer number of machines, not so much how fast those machines are. "We know you're a huge nerd, but why are you telling us about this, Rich?"Well, yes, distributed computing has been mainly a nerd thing for some time now. I've been active in distributed computing projects for years now, basically ever since I knew I could be involved. While there have been worthy causes for distributed computing, I figured those who might be interested in such things would discover them for themselves and distributed computing was probably neither an interest or a concern of most others. That recently changed when Google announced their distributed computing client called Google Compute. People seem to use things Google releases, and if that means distributed computing is now on its way to the mainstream of computer users, then I feel I should do what I can help people in their choice of a distributed computing client/project. I ask that you not use Google Compute with their current policies.The Google Compute site has the following text (I added the highlighting for emphasis) as of today (Saturday, July 9th, 2005). "The first beneficiary of this effort is Folding@home, a non-profit research project at Stanford University that is trying to understand the structure of proteins so they can develop better treatments for a number of illnesses. In the future Google Compute may allow you to donate your computing time to other worthwhile endeavors, including projects to improve Google and its services." I know that "do no evil" is part of the Google philosophy and I do not anticipate them doing anything that I find highly objectionable and at least they are being up front about potential uses of their system which is much more than some software vendors have done. While it would be despicable to release a distributed computing client under the auspices of scientific research only to later harvest user resources for their own benefit without users knowing, I doubt that is Google's intent. In regards to non-Google projects, they go on to say in their FAQ: "The third party projects we choose to help out will be carefully selected non-profit projects, with the guiding principle being to help humanity and advance scientific knowledge. Users will be clearly notified of any such projects when they are introduced, and will maintain at all times the ability to disable or uninstall Google Compute for any reason." ...which is good to hear (read). My point is this: Would you rather use a client that may possibly contribute your machine hours to improving a business' Internet services or one that, you can assume with a high level of certainty, will be aiding in critical medical research for millions of people in life or death scenarios?On that note, I would like to suggest use of the Scripps AIDS research client which can be found at: http://fightaidsathome.scripps.edu/If you would like to explore some other options for the use of your computer's currently unused cycles, I suggest you visit: http://distributedcomputing.info/
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I'm starting a non-profit contemporary music organization. Finding a good name is difficult due to many good names being taken and most people don't know how to spell anything other than the most commonly occurring words. So, suggest a name...or 7. If I choose one you suggested that I hadn't previously thought of or someone else hadn't previously suggested, I'll give you a prize. I'm not certain what that prize may be. It could be my gratitude, it could be a free membership to the organization once it exists. If you're lucky, it might be dignity...although, you'd have to fight it's current possessor, Hannah (willowfinn), who took it when she described that thing about Alaska to me.
Thank you!
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As many of you have probably heard by now, the Praxair plant located two blocks from my current residence exploded yesterday afternoon. Praxair is a gas company and this distribution plant contained many filled gas canisters which were launched throughout my neighborhood during the firestorm.
I, along with my car and briefcase (THE briefcase), were not in the neighborhood at the time of the explosion as I had a gig to run for ISI down at Jefferson Barracks so I missed most of the excitement.
I received several concerned phone calls and then found out that the area where I had last known my residence to stand was inside an evac zone and no one really knew the extent of the blast radius or damage...so that was a fun few hours.
I was eventually informed that the damage was localized almost entirely to the plant with the exception of minor damage caused by flying canisters that happened to collide with something other than the ground. Some parked cars in the area were destroyed.
The point is that I'm fine and everyone else seems to be fine and our property did not sustain any damage (as far as I can tell), but if you did happen to see that amatuer video footage of the ordeal, that was filmed from in front of my house :)
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Hey everyone, I'm moving to Baltimore to go to grad school. I need to either move my things down to Baltimore ASAP and put them in storage or put them in storage here and move them down at the end of the summer as I'm spending the summer elsewhere.
So, if anyone wants to recommend a storage facility (proabably at least 5x5x10 or 250 cubic feet), a moving company or a vehicle rental company (when I moved from St. Louis, a cargo van worked wonders), please do!
Furthermore, I need to sublet my apartment. It's in Back Bay on Burbank Street. It's 1 block from the Boston Conservatory, 2 blocks from Symphony Hall, 2 blocks from the Northeastern University dorms, 2 blocks from the Christian Science Park, 3 blocks from Berklee College of Music, 4 blocks from the Copley Mall, and 4 blocks from the New England Conservatory. Rent is $650/month but I may be able to bring that down a bit. Heat and hot water are included.
Thanks!
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Yesterday I was informed that I have been admitted to the Peabody Institute of the Johns Hopkins University to pursue two Master of Music degrees in composition and computer music composition starting in the fall and that I have been awarded, by the University, a large sum of money to facilitate this.
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...ASAP.
I hope that one of you fine Bostonians of LiveJournal might be able to help me.
( Read more... )
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You must read the following for two reasons.
1) After my recent misadventures with Travel Pack, this only reaffirms my inkling to never do business with them ever again, and you should all be aware of it.
2) It's phuqqing hilarious.
http://www.boston.com/news/local/massachusetts/articles/2005/03/19/passengers_tell_of_wild_bus_trip/
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...we honor their memory.
Almost 6 months prior to the writing of this entry, I wrote this. This entry is the promised continuation of that.
Here is another installment of the most brilliant and important musical works that we are fortunate enough to know today. I don't really have the time or energy at the moment to give blurbs about that many of them this time around though.
Beethoven - Violin Concerto, Op. 61 (1806) - The story goes that Beethoven did not finish the piece until the day Franz Clement premiered it.
Felix Mendelssohn - Violin Concerto in E minor, Op. 64 (1844)
Giuseppe Verdi - Requiem (1873) - In honour of the poet Manzoni.
Richard Strauss - Also sprach Zarathustra, Op.30 (1896)
Gustav Holst - The Planets (1916)
Bartok - 4th String Quartet (1928) - This work, along with the Sonata for 2 Pianos and Percussion, exhibits the height of Bartok's formalized technique. The organizational structure and advancements in the new tonal framework are the subject of much discussion to this day. The counterpoint is unfathomably tight rivaling that of Scriabin in the 9th Piano Sonata.
Stravinsky - Symphony of Psalms (1930) - When the BSO commissioned this work, they asked Igor for something in a "popular" style. Igor took out his english dictionary and looked up "popular" where he found "of the people." To him, religion was of the people. This work could never be mistaken for pop music. It is an extremely heavy work whose strange orchestration indicative of Stravinsky and second movement double fugue make it unforgettable.
Bartok - Music for Strings, Percussion and Celesta (1936)
Toru Takemitsu - Requiem for String Orchestra (1957)
Tomiko Kojiba - Hiroshima Requiem (date of composition unknown to me) - It saddens me greatly to know that I was in Seattle when this was performed and I missed it. On May 19th, 2001, what was I doing? I was drinking 105 on at Matt and Terry's soon-to-be-mine-at-the-time apartment...ripping the hole in my stomach after blacking out.
György Ligeti - Lux Aeterna (1966) - Ligeti redefines the sonic paradigm for chorus.
Schnittke - Concerto Grosso No.3 for two violins, harpsichord, celesta, piano and 14 strings in five movements, Op. 188 (1985)
Wolfgang Rihm - String Quartet No.8 (Achtes Streichquartett) (1988)
Ligeti - Violin Concerto (1992) - This work changed the way I thought about microtonality.
Luciano Berio - Chemin IV (1975/2000)
Oliver Knussen - Violin Concerto, Op.30 (2002)
Rest assured that there is much more to come.
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Hey everyone,
This message is just to give everyone a quick update about what is going on.
First of all, I'm supposedly going to be played on the radio tonight (Tuesday December 7th) between 8 and 10PM on 91.5 FM WUML broadcasting out of Lowell. Reception in Boston is doubtful since that is Tuft's frequency but anyone can tune in REGARDLESS OF LOCATION via:
http://www.wuml.org/webcast.php
Secondly, I am now up on the American Composers Forum (https://www.composersforum.org/member_profile.cfm?oid=4634) and the American Music Center's New Music Jukebox (http://www.newmusicjukebox.org/composers/c_works.asp?ActorID=40866).
Also, I may be looking to assemble a string orchestra in a month or two for a project of mine so let me know if you can put me in contact with any good string players in the Boston area.
Thanks for reading!
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| 2004-10-01 04:02 |
| Idioglossia |
| Public |
| Wagner - Tristan und Isolde |
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n. secret speech or language
In the year preceding the composition of this quartet, my musical language experienced a distinct shift away from the lyrical ways of Shostakovich and Scriabin. This newfound direction was initially inspired by Iannis Xenakis. I found a great many things in his works that were not only new to me but also, more importantly, captivating and exciting. Xenakis undoubtedly debased my sonic paradigm but the formation of what was to take its place owes much more to Wolfgang Rihm. I had written pieces for string quartet before but they always felt as if they were lacking something. Upon hearing the music of Rihm, I found what it was that had been missing.
The events surrounding the composition of this piece included illness, discovery of a suicide note and a great deal of sleep deprivation. Ironically enough, this is the first piece I have written that involves complex mathematical calculations as it was during my time at the University of Washington studying mathematics that my extreme sleep deprivation led to a serious physical affliction.
Words, being unable to express the emotional turmoil I was experiencing, were superseded by my newly formed idioglossia of ametric and amelodic dissonant expressionism. This piece truly feels as though it is conveyed in an almost secret language. It is, undoubtedly, a language understood by few in comparison to the more familiar musical realms such as modality or functional tonality, but whose beauty, while not as immediately evident, is equally as great.
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Job Opening in Office of External Affairs
Job Title: Girlfriend
Reports to: President (Richard Edward Horner)
Job Description and Responsibilities: As Girlfriend, you will be expected to communicate with and partake in activities with Richard Edward Horner on a regular basis.
Qualifications: The ideal candidate for this position is an independent, attractive female residing in the greater Boston area with sex experience and no sexually transmitted diseases. The abilities to prepare food, play an instrument (voice counts as an instrument), and legally purchase alcohol (meaning you are able to go out) are strongly desired.
Compensation: This is an unpaid position but offers a great opportunity for anyone looking to gain experience in a relationship with a man of rising importance with established social significance or for anyone looking to add to their resume. Benefits package includes frequent interesting conversation, in depth information regarding music and organizational structure as well as information on a broad range of subjects at your disposal, increased sense of self-worth, being seen in public with Richard Edward Horner including outings to concerts, ballets, etcetera, increased public view and social status.
Multiple Choice
Arts/Entertainment
1 Literature
a) I don't read much.
b) I read as an escape.
c) I read about subjects that interest me.
d) I read so much for work/school that I have little motivation to read anything else.
2 Television
a) I watch a lot of Nascar.
b) Sports.
c) I love American Idol.
d) Simpsons, Family Guy, Futurama, Adult Swim, etc...
e) I watch PBS mainly.
f) I don't watch much TV.
g) I am without a television.
3 Classical Music
a) I can hum a theme to a Beethoven piece.
b) I can hum a theme to a Stravinsky piece.
c) I can hum a tone row OR I can discern between an oboe and an english horn by sound alone.
d) A symphony is with a bunch of people, right?
4 Other Music
a) I listen to whatever is on the radio.
b) I listen to whatever my friends are listening to.
c) I like emo or hardcore.
d) I have to be able to dance to it.
e) I listen to metal and only metal...and maybe Vivaldi if you call me on it.
f) I listen to mostly non-Western music.
g) I listen primarily to my favorite genre that isn't listed here.
h) I listen to everything I possibly can.
5 Fantasy
a) I'm too busy with reality.
b) In bed?
c) I read fantasy novels.
d) I play fantasy games.
e) I LARP.
f) I go to fantasy conventions.
Self/Habits
6 Substance
a) Straight Edge
b) Alcohol
c) Nicotine
d) "soft" drugs
e) "hard" drugs
f) I'll do anything if it might alter my consciousness.
7 Belief System
a) I don't believe anything.
b) I have my beliefs but no affiliations religious or otherwise.
c) I belong to a religion but it's not a big deal.
d) I'm a practicing member of my faith.
e) I'm a practicing member of my faith and wish everyone else were too.
8 On a typical Sunday morning I am...
a) at work.
b) asleep.
c) hungover.
d) hungover at work.
e) at church.
f) hungover at church.
Relationships
9 In my opinion, the most important thing for my man is to...
a) have looks.
b) be talented.
c) have intelligence.
d) be going somewhere (CEO, famous, etc...).
e) have money.
10 Public Displays of Affection
a) ...are cute.
b) ...are crass and unacceptable.
c) You can hold my hand and perhaps give me a quick peck.
11 Equality vs. Chivalry
a) The man should pay.
b) We should split the bill or take turns treating the other.
c) Whoever has money should pay. It's a matter of function, not responsibility.
12 If I were going to majorly alter my appearance (dye/cut hair, plastic surgery, etc...),
a) I would be take into account my boyfriend's opinion.
b) only MY opinion would matter because it's MY appearance.
13 If you, as my boyfriend, rarely called, I would...
a) be upset. What could possibly be more important than me?
b) understand that acheiving greatness requires a great deal of time and realize that you need your girlfriend to be supportive of your endevours and not merely a distraction from them.
14 If there were aspects of my relationship that made me unhappy, I would...
a) end it.
b) wait to see if things change.
c) engage in a discussion with my boyfriend about these aspects.
15 Ex's
a) I can't stand or don't talk to any of mine.
b) I've stayed friends with the non-assholes.
c) I've been lucky enough to have only good break ups.
d) I make it a point to keep things on good terms.
16 Marriage
a) I'm never getting married.
b) I'm too young to consider settling down.
c) I might get married someday but probably not for awhile. I need to see what's out there but if the next guy were the right one...
d) I'd really like to find my Prince Charming.
Sex
17 Birth Control
a) I am currently on birth control.
b) I am not currently on birth control but am not adverse to it.
c) I do not currently use and don't intend to use birth control (please supply reason if chosen).
18 Sex Experience
a) I've had a lot of sex.
b) I've had enough sex to be good at it.
c) I've had sex with my boyfriend(s) but that's it.
d) I'm a virgin (skip the next question).
19 After Sex I...
a) feel satisfied and/or happy and/or loved.
b) anticipate more.
c) hope he calls.
d) figure my cut.
e) feel guilty.
f) fear that I'm going to hell.
20 Legality
a) I can legally engage in sexual activity in the state of Massachusetts with a 23 year old male.
b) I cannot legally engage in sexual activity in the state of Massachusetts with a 23 year old male.
Mental State
21 Trauma
a) There was this one incident...
b) I been through some rough times but it's in the past.
c) I suffered through a lingering traumatic incident.
d) I've had a traumatic past that affects my decision making process today.
e) My current situation is a source of much distress.
f) None of the above.
22 I suffer from or have, in the past, suffered from...
a) anxiety.
b) depression.
c) another mental ailment (please list).
d) none of the above.
23 Psychiatrics
a) I take no psychiatric medication.
b) I used to take psychiatric medication but the doctors said I no longer needed it.
c) I used to take psychiatric medication but took myself off of it.
d) I probably should be on psychiatric medication.
e) I am on a psychiatric medication.
f) I am on multiple kinds of psychiatric medication.
Word Association - Please provide the first word that comes to mind when presented with each of the following.
24 love
25 blow
26 iron
27 drag
28 drink
29 damn
30 rich
Free Response
What is your favorite thing to do?
Do you subscribe to any sort of specialized lifestyle such as veganism, straight edge, poly, etc...? If so, which ones and why?
If you had to choose a single book, movie, show or piece of music as the only piece of entertainment for the rest of your life, what would it be?
Why should I choose you to be my girlfriend?
Essay (optional)
If you'd like, you may submit a supplimentary essay with your application. The essay may be about anything, even things that have nothing to do with relationships and may have been written previously or for some other purpose.
Please mail your completed applications along with a recent picture of yourself to rich AT richhorner DOT com or post a comment. Be advised that an essay will probably be too long for an lj comment.
Due to time constraints, only highly qualified candidates will be contacted for follow-up interviews.
For your convenience, here is an answer form that you may want to copy and paste.
( Blank Answer Form )
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| 2004-09-15 12:39 |
| Atlanta |
| Public |
 hungry |
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I will be in Atlanta from Thursday to Sunday.
I will be extremely busy but if you want to attempt to see me, and you know my phone number...
In other news, I still don't have net access at my place. It's a long story but that's all you ppl need to know.
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